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In the 140 years since the defeat of George Armstrong Custer and his troops at the Battle of the Little Big Horn, scholars and other visitors have combed the site of today’s Little Bighorn Battlefield National Monument for evidence that might clarify the controversial events of June 1876. In Photographing Custer’s Battlefield, Sandy Barnard, an expert on Custer and the Little Big Horn, presents the work of the site’s most dedicated photographer, U.S. Fish and Game agent Kenneth F. Roahen (1888–1976), revealing further mysteries of the battlefield and showing how it has changed. Barnard opens by introducing readers to Roahen, who spent the last phase of his career and his retirement years in Montana, where he made it his personal mission from the 1930s to the 1970s to photograph what was then called Custer Battlefield. Among Roahen’s most useful images are his photographs of the Crow’s Nest, the Morass, and Girard’s Knoll—places whose precise locations have long been debated. He also made a series of pioneering aerial photographs of the Little Big Horn and its surrounding landscape. When paired with Barnard’s modern-day photographs, maps, and thorough analysis, Roahen’s images provide valuable information for visitors to the monument as well as for historians, biologists, engineers, and other government employees who interpret, preserve, and protect the battlefield and its surrounding terrain. In addition to showing sites associated with the fighting, Roahen’s photographs depict mid-twentieth-century roadwork, archaeological surveys and restorations, and construction of the visitor center, park housing, and maintenance facilities. Barnard’s matching photographs, taken in 2012 and 2013, help to identify additional subtle but significant landscape modifications. The numerous debates surrounding the Battle of the Little Big Horn have made on-the-ground evidence especially important. Roahen’s photographic legacy, explored here in more than 300 historic and contemporary images, offers fresh insight into the battlefield’s ever-changing landscape, helping visitors old and new to better understand the history beneath their feet.
In August 1862, nineteen-year-old Edward G. Granger joined the 5th Michigan Cavalry Regiment as a second lieutenant. On August 20, 1863, the newly promoted Brig. Gen. George Armstrong Custer appointed Granger as one of his aides, a position Granger would hold until his death in August 1864. Many of the forty-four letters the young lieutenant wrote home during those two years, introduced and annotated here by leading Custer scholar Sandy Barnard, provide a unique look into the words and actions of his legendary commander. At the same time, Granger's correspondence offers an intimate picture of life on the picket lines of the Army of the Potomac and a staff officer's experiences in the field. As Custer's aide-de-camp, Lieutenant Granger was in an ideal position to record the inner workings of the Michigan Brigade's command echelon. Riding at Custer's side, he could closely observe one of America's most celebrated and controversial military figures during the very days that cemented his fame. With a keen eye and occasional humor, Granger describes the brigade's operations, including numerous battles and skirmishes. His letters also show the evolution of the Army of the Potomac's Cavalry Corps from the laughingstock of the Eastern Theater to an increasingly potent, well-led force. By the time of Granger's death at the Battle of Crooked Run, he and his comrades were on the verge of wresting mounted supremacy from their Confederate opponents. Amply illustrated with maps and photographs, An Aide to Custer gives readers an unprecedented view of the Civil War and one of its most important commanders, and unusual insight into the experience of a staff officer who served alongside him.
On 25 June 1876, a combined force of Lakotas and Northern Cheyennes defeated the troops of the Seventh United States Cavalry Regiment on the bluffs overlooking the Little Big Horn River in Montana. This disaster for the United States Army resulted in the deaths of 267 cavalrymen, including their famed commander, Lieutenant Colonel George Armstrong Custer. Since his demise at the Battle of the Little Big Horn, Custer has been a symbol for the federal government's bloody conquest of the Great Plains. Custer's military career, however, went beyond the Indian wars of the 1870s. In the Civil War, Custer made his name as a bold and aggressive cavalry commander. After 1865, he led troops during Reconstruction in the South and explored the Black Hills for the federal government in addition to his well-documented conflicts with American Indians. George Armstrong Custer: A Military Life explores Custer's life and highlights the complex nature of his experiences and legacy. Yet as Barnard makes clear, Custer was one of many army officers and soldiers who took part in these struggles. Still, Custer's role in the Indian wars of the late nineteenth century has turned him into a notorious figure. Barnard looks beyond the myths surrounding Custer to reveal the influence he had on the frontier army and the West in addition to his symbolic legacy.
In the 140 years since the defeat of George Armstrong Custer and his troops at the Battle of the Little Big Horn, scholars and other visitors have combed the site of today's Little Bighorn Battlefield National Monument for evidence that might clarify the controversial events of June 1876. In Photographing Custer's Battlefield, Sandy Barnard, an expert on Custer and the Little Big Horn, presents the work of the site's most dedicated photographer, U.S. Fish and Game agent Kenneth F. Roahen (1888-1976), revealing further mysteries of the battlefield and showing how it has changed. Barnard opens by introducing readers to Roahen, who spent the last phase of his career and his retirement years in Montana, where he made it his personal mission from the 1930s to the 1970s to photograph what was then called Custer Battlefield. Among Roahen's most useful images are his photographs of the Crow's Nest, the Morass, and Girard's Knoll - places whose precise locations have long been debated. He also made a series of pioneering aerial photographs of the Little Big Horn and its surrounding landscape. When paired with Barnard's modern-day photographs, maps, and thorough analysis, Roahen's images provide valuable information for visitors to the monument as well as for historians, biologists, engineers, and other government employees who interpret, preserve, and protect the battlefield and its surrounding terrain. In addition to showing sites associated with the fighting, Roahen's photographs depict mid-twentieth-century roadwork, archaeological surveys and restorations, and construction of the visitor center, park housing, and maintenance facilities. Barnard's matching photographs, taken in 2012 and 2013, help to identify additional subtle but significant landscape modifications. The numerous debates surrounding the Battle of the Little Big Horn have made on-the-ground evidence especially important. Roahen's photographic legacy, explored here in more than 300 historic and contemporary images, offers fresh insight into the battlefield's ever-changing landscape, helping visitors old and new to better understand the history beneath their feet.
The Battle of the Little Bighorn has long held an eminent position among the chronicles of the mythic West. None of the men who rode with Lieutenant Colonel George Armstrong Custer to his ""Last Stand"" survived to tell the tale, but this stunning photography book provides a view of the battlefield as it must have existed in 1876.To create Where Custer Fell, authors James S. Brust, Brian C. Pohanka, and Sandy Barnard searched for elusive documents and photographs, made countless trips to the battlefield, and scrutinized all available sources. Each chapter begins with a concise, lively description of an episode in the battle. The narratives are graphically illustrated by historical photos, which are presented alongside modern photos of the same location on the battlefield. The book also features detailed maps and photographs of battle participants and the early photographers who attempted to tell their story.
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